FASCINATION ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes yearning romantics, using this type of distinction: Buster would seem a plausible mate, as well as the Tramp barely seems to possess a libido, only idealized notions. If their comedies had been produced in a far more liberated time, it is feasible to imagine Keaton in bed with a girl, but disquieting to think about the Tramp as a